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“I mean, they are the Ken and Barbie of the world.” Hammer went on to describe, down to the brand of the sweatshirt and the type of sandals, what Chambers was wearing the first day he met her. In one profile, his “eyes brightened” as he described this 10-day event, which he nicknamed his “ATF Weekend”: “We spent a couple of days gathering brush, chopping down trees, building this huge thing, and soaking it with gasoline. And I blew the thing up with a machine gun.” Amidst all this manliness, Hammer was cast opposite Johnny Depp in Disney’s long-germinating adaptation of the classic television series The Lone Ranger.

We filled a giant tequila bottle with gasoline, too, and put it right on top of the pile. Depp was the A-list star, but Ranger — with a budget of 5 million, released in prime summer blockbuster territory — seemed like it would finally be the film that launched Hammer into actual stardom. Nearly a year before the film’s release, Hammer was on the cover of Esquire, heralded as a long-awaited return to real-man stardom.

He sold Playboys in the eighth grade, packaged with bottles of lotion, and stashed them in the bushes at school so he wouldn’t get caught. “It’s been an amazing year for me — it’s exactly what I always wanted to happen,” he told the Wall Street Journal.

He got kicked out of high school for setting lighter fluid on fire. I’m really proud of that.” After The Social Network, Hammer found himself a hot property — and was almost immediately cast as Clyde Tolson opposite Leonardo Di Caprio in Clint Eastwood’s 2011 J. His character’s relationship with Hoover is suggestively queer, and, very briefly, explicitly so — prompting Hammer’s first man-on-man screen kiss.

His blockbusters flop; his prestige pictures fall flat. It’s that movie stardom isn’t for Hammer: He’s too quirky to fit into the mainstream roles available to him, and so much more than the sum of his handsome parts.

The Lone Ranger was one of Disney’s greatest summer bombs of all time. He might look, as Mirror Mirror director Tarsem Singh put it, like who you’d draw if you were going to draw a prince.

I gave it a fighting effort and I just couldn’t do it.” Under “Occupation”: “Actor — currently appearing on Gossip Girl.”It’s a tidy encapsulation of the foundation of Hammer’s image as “rich asshole” — and he’s spent the last decade both leaning into his pedigree while also straining to separate himself from it.

Early in his career he was cast, repeatedly, as a version of this rich asshole: first in a three-episode arc of Gossip Girl, in which he cheats on his girlfriend with Serena (Blake Lively), then cheats on Serena with his girlfriend; then, most famously and definitively, as the Winklevoss twins in The Social Network.

Instead, interviewers revelled in the posh details of his youth: He was born Armand, after his 90-year-grandfather; he drove around in a “pedal car” at his grandfather’s house; he lived in Dallas and, soon after, the Cayman Islands.

His “two semesters” of UCLA were actually two semesters of signing up for UCLA Extension classes and never showing up. But Hammer deftly handled questions about the novelty or strangeness of the event. “I also had to shoot a machine gun in the movie, but nobody asks about that.”Hammer’s response is a far cry from the “no homo” caginess that often accompanies straight stars’ commentary on playing queer roles — a posture he’s maintained in the years since, leaning into the queer subtext of his relationship with Call Me by Your Name director Luca Guadagnino, much to the delight of fans. Edgar was careful to note Hammer’s heterosexuality — and masculinity. “Best friend,” she replied, before “falling into an embrace of kisses.”Chambers also showed up to the Details interview, and got called out while waiting in the wings of a 2010 appearance on the Today show.

But Hammer was firm that he and his wife Elizabeth Chambers, formerly a journalist for E! Chambers literally showed up halfway through his interview with New York Magazine. “Armie had one of the most beautiful weddings I’ve ever been to, when he married his gorgeous Elizabeth last May,” Kathie Lee Gifford, a longtime friend of the family, said on air. Any threat of emasculation was counterbalanced with tales of Hammer’s bachelor party.

Paired with his performance in an Oscar-bound film, these undertones, largely organically surfaced by the internet, have the potential to finally Make Armie Hammer Happen. But is Hammer truly a unique star who’s finally finding his niche — or simply a beautiful, pedigreed white man who’s been allowed, in a way that few others in Hollywood have, endless attempts to discover it?

Armie Hammer’s first significant magazine appearance came in 2009, in a Vanity Fair spread of “Fortune’s Children” — 38 heirs and heiresses, including Ivanka Trump and Jared Kushner, heralded as “the next generation of some of the world’s greatest fortunes.” Hammer’s page is located in the back of the spread, after the Mortons and Bloombergs and Bloomingdales, and features a photo of him playing a guitar in a bathrobe, staring whimsically into the distance. Armand Hammer, the controversial Occidental Petroleum tycoon.” Under “Education,” there’s a quote from Hammer: “I tried college at UCLA.

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Every mention of the Cayman Islands — both then and in the years to come — is followed by one of Hammer’s ringworm.

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